Franz Schubert, Robert Schumann, Felix Mendelssohn, Franz Liszt, Richard Wagner, Anton Bruckner, Johannes Brahms: the great names in German Romanticism have, over the years, largely monopolised the attention, interest and affections of music lovers, leaving little time for composers of the second rank. Yet many of the latter have outstanding and timeless merit, and amply repay a closer look: examples are Carl Reinecke, long-serving Kapellmeister at the Gewandhaus and a sought-after teacher; August Klughardt, whose place in history is as director of the Weimar opera house; and Heinrich von Herzogenberg, who taught at the K\u00f6nigliche Hochschule f\u00fcr Musik in Berlin. These once highly-regarded men should not be seen as in direct competition with any of the \u201cimmortals\u201d but should rather be sought in conjunction with each other; then amazing things can happen, as in these Romantic Transformations. August Klughardt\u2019s delightful Schilflied for piano, oboe and viola op 28 and Heinrich von Herzogenberg\u2019s evocative Legends for viola and piano op. 62 are as if made for each other, and seem to have been so conceived that they even make harmonic room between them for the Danish composer Carl Nielsen, and prepare the ground quite naturally for the final pieces by Carl Reinecke. The one seems to follow the other in a natural metamorphosis, the romantic tones of oboe, viola and horn making an impression as of constantly changing effects of light and illumination. In short, these composers come across particularly strongly when grouped together. <\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>Tracklisting<\/h4>\n
August Klughardt (1847-1902) <\/strong>
\n“Schilflieder” nach Gedichten von Lenau – F\u00fcnf Fantasiest\u00fccke
\nf\u00fcr Klavier, Oboe und Viola op. 28
\n01 Nr. 1 Langsam, tr\u00e4umerisch
\n02 Nr. 2 Leidenschaftlich erregt
\n03 Nr. 3 Zart, in ruhger Bewegung
\n04 Nr. 4 Feurig
\n05 Nr. 5 Sehr ruhig<\/p>\nCarl Nielsen (1865-1931)<\/strong>
\nCanto serioso f\u00fcr Horn und Klavier
\n06 Andante sostenuto
\n
\nCarl Nielsen<\/strong>
\nRomanze und Humoreske f\u00fcr Oboe und Klavier op. 2
\n07 1. Romanze. Andante con brio
\n08 2. Humoreske. Allegretto scherzando<\/p>\nHeinrich von Herzogenberg (1843-1900)<\/strong>
\nDrei Legenden f\u00fcr Viola und Klavier op. 62
\n09 Nr. 1 Andantino
\n10 Nr. 2 Moderato
\n11 Nr. 3 Andante<\/p>\nCarl Reinecke (1824-1910)<\/strong>
\nNotturno f\u00fcr Horn und Klavier op. 112
\n12 Andante non troppo lento<\/p>\nCarl Reinecke <\/strong>
\nTrio f\u00fcr Oboe, Horn und Klavier a-moll op. 188
\n13 1. Allegro moderato
\n14 2. Scherzo. Molto vivace
\n15 3. Adagio – Carl Reinecke
\n16 4. Finale. Allegro ma non troppo
\nTT 68:41<\/p>\n<\/div><\/div><\/div>Artists<\/h4>\n
Hansj\u00f6rg Schellenberger, Oboe
\nG\u00e9rard Caus\u00e9, Viola
\nRadovan Vlatkovic, French Horn
\nVadim Gladkov, Piano<\/p>\n
Reviews<\/h4>\n
\u261e<\/strong> \u00bbDie Interpreten sind s\u00e4mtlichst Meister ihres Instrumentes und kennen sich in dem Stil der Musik bestens aus. Dadurch wird das Anh\u00f6ren zu einem Genuss, zumal auch die Aufnahme keine W\u00fcnsche offen l\u00e4sst.\u00ab \u2018rohrblatt<\/em>, 06\/2008<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":634,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[59,62],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1017","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-duo-en","portfolio_category-trio-en"],"_links":{"self":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/comments?post=1017"}],"version-history":[{"count":0,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1017\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media\/634"}],"wp:attachment":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media?parent=1017"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1017"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_skills?post=1017"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_tags?post=1017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![](\"https:\/\/www.campanella-musica.com\/wp-content\/uploads\/2018\/05\/130151-cover-300x200.png\" "\\"130151-cover\\"")
<\/span><\/div>