{"id":1032,"date":"2021-04-13T19:21:43","date_gmt":"2021-04-13T17:21:43","guid":{"rendered":"https:\/\/www.campanella-musica.com\/?post_type=avada_portfolio&p=1032"},"modified":"2021-05-31T19:22:03","modified_gmt":"2021-05-31T17:22:03","slug":"georg-philipp-telemann-fantasien-kleine-kammermusik","status":"publish","type":"avada_portfolio","link":"https:\/\/www.campanella-musica.com\/en\/archive\/katalog\/georg-philipp-telemann-fantasien-kleine-kammermusik","title":{"rendered":"Georg Philipp Telemann: Fantasies and Partitas"},"content":{"rendered":"

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Catalogue No: C 130182<\/a>
\n<\/strong><\/p>\n<\/div><\/div><\/div>

In 1716 Georg Philipp Telemann, then aged 35, published his \u201cLittle chamber pieces, consisting of six parts, arranged in an easy cantabile style for violin, transverse flute, also for keyboard but especially for the oboe, in such a way that both the beginner and the virtuoso have the chance to be heard.\u201d With these words the composer said all that needed to be said concerning these truly delightful pieces.<\/span><\/span><\/span><\/span><\/p>\n

1732\/33 saw the appearance of twelve \u201cFantasies for transverse flute without bass\u201d, each followed by a further dozen Fantasies for violin and for viola da gamba. These solo pieces do not follow any prescribed schema; instead they mainly offer a variety of musical forms and modes of expression, playing with the formal canon of the time, from preludes via fugues (seemingly polyphonic but in fact single-voice) to variations, overtures in the French and Italian style, and the ever-popular dance forms, in which, more than once, the sounds of nature play their part.<\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

Tracklisting<\/h4>\n

12 Fantasien f\u00fcr Oboe<\/strong>
\n(orig. Flauto traverse) TWV 40<\/p>\n

1 Fantasie Nr. 1 in A (Vivace-Allegro)
\n2 Fantasie Nr. 2 in a (Grave-Vivace-Adagio-Allegro)
\n3 Fantasie Nr. 3 in h (Largo-Vivace-Allegro)
\n4 Fantasie Nr. 4 in B (Andante-Allegro-Presto)
\n5 Fantasie Nr. 5 in C (Presto-Largo-Allegro-Allegro)
\n6 Fantasie Nr. 6 in d (Dolce-Allegro-Spirituose)
\n7 Fantasie Nr. 7 in D (Alla francese-Presto)
\n8 Fantasie Nr. 8 in e (Largo-Spirituose -Allegro)
\n9 Fantasie Nr. 9 in E (Affetuoso-Allegro-Grave -Vivace)
\n10 Fantasie Nr. 10 in f# (A tempo giusto-Presto-Moderato)
\n11 Fantasie Nr. 11 in G (Allegro-Vivace-Allegro)
\n12 Fantasie Nr. 12 in g (Grave-Allegro Presto)<\/p>\n

TT Gesamtl\u00e4nge 52:08<\/p>\n

CD2<\/h3>\n

Die kleine Kammermusik<\/strong>
\n6 Partiten f\u00fcr ein Melodieinstrument und basso continuo<\/p>\n

1 – 7 Partita 1
\n8 – 14 Partita 2
\n15 – 21 Partita 3
\n22 – 28 Partita 4
\n29 – 35 Partita 5
\n36 – 42 Partita 6<\/p>\n

TT Gesamtl\u00e4nge 63:36<\/p>\n<\/div><\/div><\/div>

Artists<\/h4>\n

Hansj\u00f6rg Schellenberger, Oboe
\nMargit-Anna S\u00fc\u00df, Harp
\nJosef Radauer, Double Bass<\/p>\n

Reviews<\/h4>\n

\u261e<\/strong>\u00bbSchellenberger spielt [die Werke]\u00a0 auf der Oboe, und er tut dies mit seiner charakteristischen Sicherheit, wobei er ihre \u00fcberraschend vielf\u00e4ltigen Stimmungen und Aspekte offenbart. … Also, Partiten \u2013 ein k\u00f6stliches Konfekt; Fantasien \u2013 Spinat. Wenn ich es mir recht \u00fcberlege, mag ich Spinat.\u00ab George Chien in Fanfare<\/em>, 09-10\/2014<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":640,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[60,61,62],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1032","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-harp","portfolio_category-oboe-en","portfolio_category-trio-en"],"_links":{"self":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/comments?post=1032"}],"version-history":[{"count":0,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1032\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media\/640"}],"wp:attachment":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media?parent=1032"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1032"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_skills?post=1032"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_tags?post=1032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}