{"id":1045,"date":"2021-04-13T19:32:34","date_gmt":"2021-04-13T17:32:34","guid":{"rendered":"https:\/\/www.campanella-musica.com\/?post_type=avada_portfolio&p=1045"},"modified":"2021-05-31T19:18:41","modified_gmt":"2021-05-31T17:18:41","slug":"mozart-in-der-bauernmusik","status":"publish","type":"avada_portfolio","link":"https:\/\/www.campanella-musica.com\/en\/archive\/katalog\/mozart-in-der-bauernmusik","title":{"rendered":"Mozart and Peasant Music"},"content":{"rendered":"

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Catalogue No: C 130076<\/strong><\/a><\/p>\n<\/div><\/div><\/div>

This intimate, private production brings together, both entertainingly and enlighteningly, two musical spheres which did not go their separate ways until the late 19th and early 20th century, but then drifted as far apart as South America and Africa. Mozart\u2019s music in peasant style reminds us, with this hour-long collection of little dances, that at the time of <\/span><\/span>Figaro<\/i><\/span><\/span> and <\/span><\/span>Don Giovanni <\/i><\/span><\/span>there was no strict divide between serious and popular music. This is shown by the existence of a wealth of melodies by serious composers that have become popular, and exemplified equally by the proliferation of popular tunes that surface in works by classical composers. <\/span><\/span><\/span><\/span><\/p>\n

Margit-Anna S\u00fcss and Klaus Stoll, formerly principal double bass in the Berlin Philharmonic, have taken this exchange across the customary dividing line between the two worlds and in the process revealed astonishing links and affinities.<\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

Tracklisting<\/h4>\n

01 Da Holzner Boarische
\n02 M\u00fchlviertler L\u00e4ndler
\n03 Mozart: Menuett (aus der Symphonie Es-Dur)
\n04 Vorarlberger Bauernt\u00e4nze
\n05 Zillertaler Boarischer
\n06 Mozart: L\u00e4ndlerischer Tanz
\n07 \u00bbMozart\u00ab – Menuett
\n08 Thernberger Hochzeitsst\u00fcckln
\n09 Mozart: \u00bbIhr, die ihr Triebe des Herzens kennt\u00bb (aus der \u00bbHochzeit des Figaro\u00ab)
\n10 Hallst\u00e4dter Hochzeitsmarsch (um 1800)
\n11 Schweizer Tanz
\n12 Mozart: Menuett (aus \u00bbDon Giovanni\u00ab)
\n13 Deutscher Tanz
\n14 Mozart: Deutscher Tanz (Schlittenfahrt<\/em>)
\n15 S\u00fcdtirolere Hochzeitsmusik
\n16 Mozart: \u00bbDer Vogelf\u00e4nger bin ich ja\u00ab (aus der Zauberfl\u00f6te<\/em>)
\n17 Altfr\u00e4nkisches Menuett
\n18 Schellenberger Zigeunerpolka
\n19 Mozart: \u00bbDas klinget so herrlich\u00ab (aus der Zauberfl\u00f6te<\/em>)
\n20 Harfenpolka
\n21 Bauernmenuett aus Imst (Harfe solo)
\n22 Mozart: Gavotte (aus Les petits riens<\/em>)
\n23 Stockerauer Tanz
\n24 Mozart: Menuett (aus der \u00bbHaffner-Serenade\u00ab)
\n25 Alte \u00bbSteierische T\u00e4nze\u00ab
\n26 Mozart: Deutscher Tanz
\n27 Menuett in G major
\n28 Mozart: \u00bbReich mir die Hand, mein Leben\u00ab (aus Don Giovanni<\/em>)
\n29 In der Klosterm\u00fchle, Boarischer aus Dietramszell (Sepp Neum\u00fcller)
\n30 Nanei L\u00e4ndler (Tobi Reiser)
\n31 Der alte Marsch von \u00d6sterreich<\/p>\n

TT: 63’53<\/p>\n<\/div><\/div><\/div>

Artists<\/h4>\n

Margit-Anna S\u00fc\u00df, Folk Harp
\nKlaus Stoll, Bass Violin<\/p>\n

Reviews<\/h4>\n

\u261e <\/strong>\u00bbVon tiefer, geradezu schw\u00e4rmerischer Verehrung Mozarts getragen, sehen sie nicht nur in dessen Werken starke Wurzelkr\u00e4fte der Bauernmusik und eine enge Verwandtschaft mit ihr, sondern auch jenes Ma\u00df an Vollkommenheit …\u00ab das Orchester<\/em>, 9\/2000<\/p>\n

\u261e<\/strong> \u00bb … es war eine h\u00f6chst \u00fcberraschende und angenehme Offenbarung. … S\u00fc\u00df und Stoll interpretieren die St\u00fccke reizvoll und mit Leichtigkeit, ernst genug, um sie perfekt klingen zu lassen, aber ohne die akademische Korrektheit klassisch ausgebildeter Musiker. Wenn Sie Mozart m\u00f6gen, h\u00f6ren Sie sich das an \u2013 Sie werden es genie\u00dfen.\u00ab Double Bassist<\/em>, Winter 2000<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":619,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[59,60],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1045","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-duo-en","portfolio_category-harp"],"_links":{"self":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/comments?post=1045"}],"version-history":[{"count":0,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1045\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media\/619"}],"wp:attachment":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media?parent=1045"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1045"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_skills?post=1045"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_tags?post=1045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}