{"id":1061,"date":"2021-04-13T19:40:32","date_gmt":"2021-04-13T17:40:32","guid":{"rendered":"https:\/\/www.campanella-musica.com\/?post_type=avada_portfolio&#038;p=1061"},"modified":"2021-05-31T19:12:56","modified_gmt":"2021-05-31T17:12:56","slug":"joseph-haydn-die-bartolozzi-trios","status":"publish","type":"avada_portfolio","link":"https:\/\/www.campanella-musica.com\/en\/archive\/katalog\/joseph-haydn-die-bartolozzi-trios","title":{"rendered":"Joseph Haydn: The Bartolozzi Trios"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_3 1_3 fusion-flex-column fusion-column-inner-bg-wrapper\" style=\"--awb-inner-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><span class=\"fusion-column-inner-bg hover-type-none\"><a class=\"fusion-column-anchor\" href=\"https:\/\/www.naxos.com\/catalogue\/item.asp?item_code=C130106\" rel=\"noopener noreferrer\" target=\"_blank\"><span class=\"fusion-column-inner-bg-image\"><\/span><\/a><\/span><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"300\" height=\"200\" title=\"130106-cover\" src=\"https:\/\/www.campanella-musica.com\/wp-content\/uploads\/2018\/05\/130106-cover-300x200.png\" alt class=\"img-responsive wp-image-625\" srcset=\"https:\/\/www.campanella-musica.com\/wp-content\/uploads\/2018\/05\/130106-cover-300x200.png 300w, https:\/\/www.campanella-musica.com\/wp-content\/uploads\/2018\/05\/130106-cover-630x420.png 630w, https:\/\/www.campanella-musica.com\/wp-content\/uploads\/2018\/05\/130106-cover-768x512.png 768w, https:\/\/www.campanella-musica.com\/wp-content\/uploads\/2018\/05\/130106-cover.png 810w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/span><\/div><div class=\"fusion-separator fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;width:100%;\"><div class=\"fusion-separator-border sep-double\" style=\"--awb-height:20px;--awb-amount:20px;border-color:#e2e2e2;border-top-width:1px;border-bottom-width:1px;\"><\/div><\/div><div class=\"fusion-text fusion-text-1\"><p><strong><a href=\"https:\/\/www.naxos.com\/catalogue\/item.asp?item_code=C130106\" target=\"_blank\" rel=\"noopener\">Catalogue No: C 130106<\/a><br \/>\n<\/strong><\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-2\"><p><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">It is a well-known fact that when in 1760 Haydn married Maria Anna Theresia Keller, a wigmaker\u2019s daughter, he was not making a sensible choice. However, this obvious mistake was not able to cloud his general attitude to the fair sex, as is shown by the number of women to whom he dedicated solo and chamber works for piano. Amongst these we find Theresa Jansen, from Aachen, whose father, a very successful dancing master, had moved in 1787 to London, where his daughter, who was also a gifted composer, was receiving lessons from the highly-regarded Muzio Clementi. When in 1795 she married an art dealer, Gaetano Bartolozzi, one of the witnesses at the ceremony was Haydn, who was staying in the capital at the time.<\/span><\/span><\/p>\n<p><span style=\"font-family: Courier New, monospace;\"><span style=\"font-size: small;\"><span style=\"font-family: Times New Roman, serif;\"><span style=\"font-size: medium;\">It is irrelevant whether he intended the three piano trios Hob. XV 27-29 as a wedding gift or dedicated them to the young musician together with the three piano sonatas Hob. XVI 50-52 purely as a convenient opportunity; be that as it may, they demand a high degree of pianistic skill, and their charm and playful grace show that Haydn, despite the fact that her name bore a certain similarity to that of his wife, who had remained in Vienna, had not left the straight and narrow when composing these most beguiling pieces.<\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_3 1_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:33.333333333333%;--awb-margin-top-large:0px;--awb-spacing-right-large:5.76%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:5.76%;--awb-width-medium:33.333333333333%;--awb-order-medium:0;--awb-spacing-right-medium:5.76%;--awb-spacing-left-medium:5.76%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-3\"><h4>Tracklisting<\/h4>\n<p><strong>Joseph Haydn (1732-1809) <\/strong><\/p>\n<p>Klaviertrio C-Dur Hob XV: 27<br \/>\n01 Allegro<br \/>\n02 Andante<br \/>\n03 Finale. Presto<\/p>\n<p>Klaviertrio E-Dur Hob XV: 28<br \/>\n04 Allegro moderato<br \/>\n05 Allegretto<br \/>\n06 Finale. Allegro<\/p>\n<p>Klaviertrio Es-Dur Hob XV: 29<br \/>\n07 Poco Allegro<br \/>\n08 Andantino et innocentemente<br \/>\n09 Finale im deutschen Stil: Presto assai<\/p>\n<p>TT 50:12<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-order-medium:0;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-4\"><h4>Artists<\/h4>\n<p>Trio Viennarte<br \/>\nVeronika Schulz, Violin<br \/>\nJulia Schreyvogel, Cello<br \/>\nMaria Rom, Piano<\/p>\n<h4>Reviews<\/h4>\n<p>\u261e \u00bbDie oft harschen, k\u00fchlen Akzente, die steilen Crescendi, das kernige Spiel in allen Instrumenten passen perfekt zum heiteren, wenn auch nicht harmlosen sp\u00e4ten Haydn. Ansonsten kann man sich diese Meisterwerke ausgefeilter, durchdachter, vor allem aber temperamentvoller gespielt kaum vorstellen.\u00ab M. B. Wei\u00df in <em>KLASSIK heute<\/em> 5 \/ 2001<\/p>\n<p>\u261e \u00bbEs ist verst\u00e4ndlich, dass Haydns Klaviertrios weniger bekannt sind als seine Sinfonien und Streichquartette, aber es gibt hier viel feine Musik zu genie\u00dfen und kein Gef\u00fchl, dass es sich um unbedeutende Produkte aus der Werkstatt des Meisters handelt. Es handelt sich in der Tat um reife Werke, die um 1795 entstanden sind &#8230;\u00ab <em>MusicWeb International<\/em>,<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":625,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[62],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1061","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-trio-en"],"_links":{"self":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/comments?post=1061"}],"version-history":[{"count":0,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media\/625"}],"wp:attachment":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media?parent=1061"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1061"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_skills?post=1061"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_tags?post=1061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}