In 1972, when Beethoven turned his back for ever on Bonn, the city of his birth, in whose court band he had been playing viola under Joseph Reicha, he took with him the good wishes of his old friends and supporters. Their kind words must soon have come to fruition, as it is undeniable that, once he had arrived in Vienna, the young musician underwent a huge change: \u201cThrough unceasing diligence you will receive Mozart\u2019s spirit from the hands of Haydn,\u201d Graf Ferdinand von Waldstein, later the dedicatee of a great piano sonata, had written in Beethoven\u2019s album on his departure – and he in particular must have been surprised by Beethoven\u2019s rapid development, since he was acquainted with the composer\u2019s early compositional experiments, from the little E flat major concerto, the three \u201cKurf\u00fcrsten\u201d sonatas and three piano quartets to the Ritterballett, and was able to make a direct comparison.<\/span><\/span><\/span><\/span><\/p>\nMost of the wind music in this recording dates from the Bonn days. These were pieces Beethoven had written, as the mood took him, for his colleagues in the court band: short, light-hearted trivialities for a variety of instrumental combinations. These have been paired here with two works written in Vienna around the time of the B flat piano concerto: the C major trio with the misleadingly late opus number 87 and the Variations on Mozart\u2019s \u201cL\u00e0 ci darem la mano\u201d, both for a cheerful trio of oboes and cor anglais, next to which the piano trios op. 1 and the sonatas op. 2 stand out as signposts to the future.<\/span><\/span><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>Tracklisting<\/h4>\n
Ludwig van Beethoven (1770-1827)<\/strong><\/p>\nTrio f\u00fcr 2 Oboen und Englischhorn op. 87<\/strong>
\n01 Allegro
\n02 Adagio cantabile
\n03 Menuetto. Allegro molto. Scherzo
\n04 Finale. Presto
\n
\nDuo f\u00fcr Klarinette und Fagott F-Dur WoO 27,2<\/strong>
\n05 Allegro affetuoso
\n06 Aria. Larghetto
\n07 Rondo. Allegro moderato<\/p>\n08 Variationen \u00fcber “L\u00e1 ci darem la mano” <\/strong>(f\u00fcr 2 Oboen und Englischhorn)<\/p>\nDuo f\u00fcr Oboe und Fagott WoO 27,1<\/strong>
\n09 Allegro commodo
\n10 Larghetto commodo
\n11 Rondo. Allegretto<\/p>\nQuintett f\u00fcr Oboe, 3 H\u00f6rner und Fagott<\/strong>
\n12 Allegro
\n13 Adagio maestoso
\n14 Minuetto. Allegro<\/p>\nTT 66:05<\/p>\n<\/div><\/div><\/div>
Artists<\/h4>\n
Bl\u00e4ser der Berliner Philharmoniker<\/p>\n
Reviews<\/h4>\n
\u261e <\/strong>\u00bbSt\u00fccke des jungen, studentischen Beethoven in wechselnden Besetzungen geben Einblick in die kompositorische Probierstube, garantieren aber auch eine gute Stunde Unterhalten. F\u00fcr die meisten Opera gibt es im Katalog keine (nennenswerten) Alternative.\u00ab \u00d6sterreichische Musikzeitung<\/em>, 0-02\/2000<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":621,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[58,59,62],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1075","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-chamberensemble","portfolio_category-duo-en","portfolio_category-trio-en"],"_links":{"self":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/comments?post=1075"}],"version-history":[{"count":0,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/avada_portfolio\/1075\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media\/621"}],"wp:attachment":[{"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/media?parent=1075"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1075"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_skills?post=1075"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.campanella-musica.com\/en\/wp-json\/wp\/v2\/portfolio_tags?post=1075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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